Saturday, June 18, 2011

My Review of Avan Ivan


COMPREHENSIVELY MISFIRES

Bala, one of the trendsetting directors, has always delivered emotional, heart-wrenching, and disturbing films. This has been his style of film making and he has seen a great amount of success in it. After winning a National Award for his previous directorial venture, Naan Kadavul, Bala has tried his hand at delivering a full-length comedy film. But sadly, the movie does not live up to the expectations and goes awry right from the first frame.

Vishal and Arya are step-brothers and are always at each other's throat in the first half of the movie. Their respective mothers (Ambika and Jayaprabha) are also at daggers, but they all incidentally live in the same house. An ex-king, named highness, plays the role of pacifying both Vishal and Arya. He has lost all his fame and wealth but is still respected by all the local people living in the region. Vishal starts to develop a soft corner for a lady constable (named Madhu Shalini) whereas Arya goes after a tutorial college-going student (sorry.. couldn't find her name)!

The whole movie plods around these characters for the most part and then in order to deliver the director's touch, he introduces an antagonist half an hour before the climax and leads us into a fist-fight conclusion. The whole problem of the movie is that it does not have even a wafer-thin plot. The director has penned the screenplay in order to say that he is capable of delivering a full-length comedy. The movie seems to be made for Vishal to help him break his commercial hero status. He has worked on his body language and his squint eyes and does a very good job. Frankly speaking, he is the only silver lining in the movie!

Bala also manages to extract decent performances from the other characters (Arya, Ambika, Highness, the small boy). Arya, for the whole movie, plays second fiddle to Vishal and tries to make the audiences laugh with his gimmicky body language and dialogue delivery. But the most irritating characters of the movie were the cops and I am wondering why Bala has reduced inspectors into comical machines in his last two movies. I feel very sad for the villain because he is not able to deliver anything substantial in his tenure as an actor (career shift?.. maybe)!

Technically, the movie has hardly anything to speak about. Except the Elangaathu Veesuthe-style song, there is nothing really to speak for Yuvan Shankar Raja. The audiences are treated to crisp editing in the last 20 minutes. On the whole, the movie lacks a solid plot and puts the audience in sleep-mode right from the first half. Mr.Bala, with all due respect, you are better off doing serious films with comedy sprayed in between rather than the other way round. Hoping to see you with a solid script next time around!

4 comments:

  1. Well said Alan..
    - Jegan (Photon)

    ReplyDelete
  2. Dude. I was really surprised on this take from Bala. I haven't seen the movie so i can't speak much about it. Naan Kadavul was brilliant until the last 10 mins choppy editing. I heard from one of his interview that he won't be using any bounded scripts or so to shoot scenes accordingly on day-to-day basis. He would be having everything on his mind and shoot the scenes. Hence this would result in many re-shoots & takes there-by wasting producer fortune a lot. We can't advice Bala asking him to direct a movie like this or that. He is a creator and we should leave the imagineer on his own ground to explore. If they switch the court then this what would happen. We have to digest it. I still have hope that we would bounce back with a good script next time. Better luck next time Bala.

    So Alan, next we are expecting Selva's "Irandam Ulagam".. My instinct says this movie gonna be a trend setter ground on some basis.

    ReplyDelete
  3. Hi Alan,

    the other girl is Janani iyer (constable Baby) found the name for you, (she is recently making news)

    ReplyDelete

Páginas

Ads 468x60px